Editorial Review
Who's Who, Redefined
Photographer Turned a Clinical Eye on the Powerful
By Blake Gopnik
Washington Post Staff Writer
Monday, September 15, 2008
Richard Avedon photographed celebrities: presidents and generals, great artists and heads of industry. And he photographed nonentities: no-name soldiers and protesters and secretaries. What makes him one of the greatest portraitists of the 20th century is that, when he's at his very best, you can't tell which is which. Forget the old idea that portraiture's about revealing what a sitter has done, or some kind of "deeper self." Avedon goes even deeper than that, down to the banal personhood that we all share. He reveals his sitters as being simply there , and real. He gives them a compelling authenticity, even if he never claims to reveal the "authentic" them.
Richard Avedon: Portraits of Power includes approximately 250 photographs from the 1950s through the artist’s death in 2004, displayed chronologically and grouped within Avedon’s specific editorial projects. The exhibition includes many rarely-seen and some never-before-exhibited or published photographs. A major catalogue, published by Steidl, accompanies the exhibition.

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